Comparing A Farewell to Arms and The Sun Also Rises :: comparison compare contrast essays

A F arewell to gird & The sunbathe too Rises   After a while I went out and left the hospital and walked back to the hotel in the rain (332). This last line of the novel gives an intellect of Ernest Hemingways manner and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Fredericks actions are determined by his position until he deserts the army. Floating vote guttle the river with barely a hold on a piece of woods his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increase difficult to understand. Nevertheless, Hemingways style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingways style as simple, spare, and journalistic. These are all soundly words they all apply. Perhaps because of his provision as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxers punches--combinations of lefts and rights access at us without pause. As illustrated on page 145 She went down the hall. The porter carried the sack. He knew what was in it, one can see that Hemingways style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingways and his characters beliefs. The punchy, pictural language has the immediacy of a news bulletin these are facts, Hemingway is coitus us, and they cant be ignored. And just as Frederic Henry comes to distrust abstractions like patriotism, so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple good becomes higher praise than another writers string of decorative adjectives. Hemingways style changes, too, when it reflects his characters ever-changing states of mind. Writing from Frederic Hen rys point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. unremarkably Henrys thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, I had gone to no such(prenominal) place but to the smoke of cafes and nights when the room whirled and you