The Annunciation: A Painting by Francisco de Zurbaran :: Essays Papers

The Annunciation A Painting by Francisco de Zurbaran full treatment of art can best be appreciated when the elements of design, the principles of design, and the iconography of the work ar observed and understood. The Annunciation, a painting by the Spanish artist Francisco de Zurbaran, is a work of art that incorporates both the elements and principles of design. The iconography of the painting is of great importance as well as its aesthetic quality.The ability to create a protrude of The Annunciation in ones mind is a key factor in understanding the analysis of the work. Francisco de Zurbaran approaches the painting with a realistic style. The painting features a room in which a woman interchangeable angel is seen at the left kneeling on the ground sooner the Virgin bloody shame. The figure of bloody shame is placed between a leave and a small wooden table draped with a super C cloth. Mary disregards an open Bible on the table, as she appears solemn musical composit ion staring at the floor. Floating supra the two main figures in the upper left side of the painting are cherubs resting on a bed of clouds. They happily gaze down at Mary with eyeball from Heaven.The Annunciation uses elements of design to create a opticly pleasing picture. The visual elements consist of light, color, texture, shape, and line. The use of light is one of the most evident elements in this painting. The source of light is not directly visible in the painting, besides appears as a radiant angelic host floating above the two main figures. trip emphasizes the fair skin of the Angel and Mary as they both look down towards a shadowy floor. Light in addition reflects the open Bible on the table suggesting emphasis on the holiness of Mary. The rest of the room remains eerily dark and dull. falsify is used to draw attention to important characters and objects in the painting. The red of Marys shirt emphasizes her place as the main figure. A bright, jaundiced c loud floating above the room symbolizes the joy of the angelic figures. De Zurbaran uses flying colors in the foreground. The room, used as the background for the scene, is painted in dark colors utilizing different hues of gray and brown.An observer can also obtain a sense of texture in this painting.